Thursday, September 29, 2016

Orson Welles in “Citizen Kane” is the Classic Movie for October in Bigfork

“Citizen Kane” is a 1941 mystery drama movie with Orson Welles its producer, co-author, director and star.  It is a quasi-biographical film of the main character Charles Foster Kane, played by Welles, being part print media mogul William Hurst, two parts well known Chicago business tycoons of that era, and one part part Welles’ life. This does not immediately sound like the makings of what has been called the greatest film of all time. Orson never made movie before and created a new concept in film making. This movie is worth seeing plus find out what “Rosebud” really means in the story. “Citizen Kane” will be shown by Jack Nachbar at The Edge Center in Bigfork on October 13th at 6:30PM, free of charge. The movie will be accompanied by Jack’s presentation providing a better understanding of the film at the time period of the picture's release.

With Orson never making a movie before this and creating a new concept in film making by doing so, this is a special event in in film history. This movie is best seen on the big screen and, it is worth seeing for its  "new" approach in movies, plus you will get to find find out what “Rosebud” really means in the story. The part this word means to the movie is special all by itself.

“Citizen Kane” is about a reporter assigned to find out the meaning of a newspaper publishing magnate’s last word, “Rosebud”, and the reporter’s search for an answer. That’s it for the story line, but the twists and turns of this assignment makes for the classic that the movie became.  

The drama of the "back-story" is part of what makes the movie so remarkable remarkable by itself, but the filming, techniques and seemingly simple story-line is what makes the extraordinary.  All this made Orson a giant in the film industry after just his first ever try at making a movie.

The movie was nominated for nine Academy Awards, but won only one. It is said that the reason was resentment by virtually every one in the industry at the time, and “block voting” to keep “Citizen Kane” in the background of that year’s productions. Before Hollywood, the film industry was courting Welles’s talents for some time, and the finallythe possibility of making huge amounts of money attracted him, but Frank Brady says Welles…”, was still totally, hopelessly, insanely in love with the theater, and it is there that he had every intention of remaining to make his mark.” 

But after the remarkable success of “The War of the Worlds” broadcast, RKO Pictures made him an offer he could not refuse. That offer was probably responsible for so much animosity and plain old jealousy in the industry.  Ref:

Here is one more push for you to come to Bigfork for this classic. It is from the New York Times review by Bosley Crowther published May 2nd 1941.  The first paragraph reads in part … “Within the withering spotlight as no other film has ever been before, Orson Welles's ‘Citizen Kane’ had its world première at the Palace last evening. And now that the wraps are off…it can be safely stated that suppression of this film would have been a crime. … "Citizen Kane" is far and away the most surprising and cinematically exciting motion picture to be seen here in many a moon. As a matter of fact, it comes close to being the most sensational film ever made in Hollywood.”

You can see this movie free of charge. An  appropriate snack will be served courtesy of Jack and his wife/projectionist, Lynn.  Place: The Edge Center for the Arts, Bigfork. Date and time: Thursday October 13 at 6:30PM. It will be worth going to Bigfork, because Jack will give you lots of background about the movie and a cartoon of the period will give you some laughs.

Tuesday, September 27, 2016

“WHAT’S LEFT: LIVES TOUCHED BY SUICIDE” at the Edge Center Gallery

Edge Center Gallery in Bigfork Minnesota is presenting the exhibition “What’s Left: Lives Touched by Suicide” from September 29 to October 29.  Even in such a sparsely populated area, there are few Edge of the Wilderness residents who are not affected in some way by the sorrow related to suicide.This exhibit is a traveling exhibit with a goal of reducing the stigma surrounding suicide and mental illness and raising awareness about mental health recovery and suicide prevention. The exhibit will be on display September 29 until October 29. The opening Reception is September 30 from 5PM to 7PM. The Gallery hours are from 10AM to 4PM on Thursday, Fridays, and Saturdays and during theater performances.

It has been shown at MacRostie Gallery in Grand Rapids, Red Lake Nation College, Hibbing Community College, American Indian Community Housing Organization in Duluth, Greenway High School in Coleraine, Rochester Civic Theater, and Watermark Art Center in Bemidji.  It will continue on to Park Rapids, Minnesota, Owatonna, and Bethlehem Lutheran Churches in Minneapolis and Minnetonka.

The Edge Center is possibly the closest place for you to experience this powerful, moving, and healing multimedia exhibit.

Suicide and mental illness are major health problems that affect everyone. The topic is often viewed as taboo, and family members left behind can feel stigmatized and unable to talk openly about their experience and grief. What’s Left provides a space for participating artists and the broader community to reflect on the impact of suicide and mental illness and explore the use of artistic expression in the process of grieving, healing, and expressing hope.

The project originated with Grand Rapids, Minnesota, resident John Bauer who lost his daughter Megan to suicide in 2013. Bauer’s experience in the aftermath of his family’s tragedy is what sparked the idea for an art exhibit as a way to encourage community conversation.“Whether on the phone or on the street, most people just didn’t know what to say to me,” said Bauer.  “How could they if they haven’t been through something so horrific. To develop a vocabulary for talking about suicide, we have to be able to talk about mental illness as well. Not in whispers or disrespectful laughter.

We need a culture shift where we all take responsibility for addressing the stigma associated with suicide and mental illness. That burden should not be on me and my family alone, nor should it fall to other families who have come before or after us.”

Over 45 of Minnesota’s finest artists working in painting, poetry, sculpture, graffiti, glass, fiber, photography, and more have contributed artwork to the project. Audience members of What’s Left will also have the chance to listen to an interactive audio installation of stories from survivors.

What’s Left is a traveling exhibit with a goal of reducing the stigma surrounding suicide and mental illness and raising awareness about mental health recovery and suicide prevention. The exhibit is designed to be displayed in a wide variety of settings including community centers, art galleries, schools, and libraries and is available to travel to communities across the state through 2018.  The Edge Center Gallery is working with the Bigfork School to increase awareness of suicide prevention even in such a small rural community.

This activity is made possible in part by the voters of Minnesota through a grant from the Arrowhead Regional Arts Council, thanks to appropriations from the Minnesota State Legislature’s general and arts and cultural heritage funds. Additional funding is provided by the Blandin Foundation, Grand Rapids Area Community Foundation, Miller-Dwan Foundation, Northland Foundation, Northern Itasca Electric Company Round-Up Grant and many private donors.

The Edge Center is next to the Bigfork School.  The Gallery hours are from 10AM to 4PM on Thursday, Fridays, and Saturdays and during theater performances.  The exhibit “WHAT’S LEFT: LIVES TOUCHED BY SUICIDE” is in the Edge Center Gallery, next to the Bigfork School, from September 29 to October 29. The Opening Reception is Friday, September 30 from 5-7 pm.

Wednesday, September 7, 2016

Art Gallery Shows Iron and Stone....Paper and Color Exhibit In the Edge Center

What does the work of two artists using such different media have in common?  Find out at the Bigfork’s Edge Center Gallery in September when the work of both collage artist Karlyn Atkinson Berg and sculptor Al Belleveau fill the Gallery.  The exhibit Iron and Stone//Paper and Color is on display from September 8 until September 24.  The public Opening Reception is Friday, September 9 from 5:00 to 7:00.

Both Berg and Belleveau share a love of the natural environment and use combinations of common materials in seemingly endless ways in their art work.  Karlyn Atkinson Berg’s work uses Paper and Color.  Her two-dimensional collages are created by arranging paper cut from all kinds of printed materials.  The shapes and colors form abstract compositions.

The complex work is sophisticated and requires contemplation to extract Berg’s meaning. Berg graduated from Rhode Island School of Design, continued graduate studies at Pratt University in printmaking, in education at New York University and trained as an actress at the Lee Strasberg Actors studio.

Berg pursued her career as painter and collage artist while working at the Metropolitan Museum of Art.  She traveled to Minnesota in 1973 to work on Wolf Conservation, an interest that continues today.

While becoming internationally recognized for her work and expertise on wolves, canids, predators and predator control issues, Berg continued to paint and pursue her career as an artist.  Her work in the September exhibit is the type of collage art that she has been successfully shown in galleries around the state.  

Al Belleveau’s materials are more elemental than Berg’s. His work represents the Iron and Stone in the exhibit and is the syntheses of a life long love affair that he has had with two of northern Minnesota's most plentiful resources. He uses rocks and metal in sculptural form to depict humorous life forms, unique functional furniture, art structures and decorating accouterments.

He has been using this process to capture and create with stones for ten years, but he has come to understand its significance more recently. The stone - as recognized by the indigenous peoples - is Grandfather or Spirit and the steel is temporary flesh. Thus through this parallel of steel wrapped stone - flesh wrapped spirit, he is coming to better understand himself and others and how they are related.

 Belleveau’s affinity with Stone Age artists is shown in the sculpture “Hand Painter”, depicting a man reclining in a cave, making an imprint on the wall using a tube of rolled bark or a reed to blow red ocher over his hand to create an imprint.

The exhibit Iron and Stone// Paper and Color is in the Edge Center Gallery, next to the Bigfork School, from September 8 until September 24.   The Opening Reception is Friday, August 5 from 5-7 pm where you can meet the artists and enjoy refreshments while looking at the art.   The Gallery hours are from 10:00-4:00 on Thursday, Fridays, and Saturdays.

Friday, August 26, 2016

John Wayne in “Red River” is the September Classic Movie in Bigfork

Red River” is a 1948 Western starring John Wayne and Montgomery Clift, produced and directed by Howard Hanks, shot on location, and full of action, tension, hostile Natives, some comic relief from Walter Brennan, and even a love interest provided by Joanne Dru. It has all the making of a great movie, and it succeeded in what might be the greatest of its kind ever made. “Red River” will be shown by Jack Nachbar at The Edge Center in Bigfork on September 8th at 6:30PM free of charge. The movie will be accompanied by Jack’s presentation providing a better understanding of the film at the time period of the picture's release.

To really be appreciated, “Red River” needs the big screen to let you take in the scope of this movie. It is a movie about a Texas rancher, Wayne, who has built a successful ranch and is now almost broke after the Civil War.  Wayne and “adopted” son, Clift, and their ranch hands, take cattle from Texas to Kansas looking for a better market…being the first to open the Chisholm Trail. Tensions fly along with  bullets driving away raiding Natives, and a woman to complicated things. The screenplay is based on a serialized story in “Saturday evening Post.” The movie was selected by the National Film Registry by the Library of Congress as being “Culturally, historically, or aesthetically significant”. In June 2008, the American Film Institute (AFI) listed “Red River” as the fifth-best Western ever made. Ref:

Director John Ford, upon seeing Wayne in this film, was quoted as saying, “I never knew the big son-of-a-bitch, could act”, which resulted in Ford casting Wayne in more challenging roles such as “The Searchers (1956).”  Ref:

John Wayne, (1907-1979) was born Marion Mitchell Morrison in Iowa.  John Wayne’s family relocated to Los Angeles when he was nine. He started his movie career as a stunt rider and worked his way up to being a first rate star. Through his career he won an Oscar, a Golden Globe, and a Cecil B. DeMille Award for lifetime achievement, but his most endearing legacy to his fans was the character the “Duke” played on and off the screen. This persona has been the basis of many stars screen personality and it has served them well. In this film, he plays a rough and demanding boss, but it never affected the popularity of his fans. He was among the top box office draws for three decades which made him very special to studios.  An enduring American icon, he epitomized rugged masculinity and is famous for his demeanor, including his distinctive calm voice, walk, and height," Ref:

Montgomery Clift nervous about playing a role that challenged the bigger and more experienced Wayne.  The director Howard Hawks, gave him advice that cliff play the role with a David against Goliath attitude. That work very well for Clift when he needed it.

Edward Montgomery “Monty” Clift(1920-1966) was a film and stage actor, best known for his portrayal of moody and sensitive young men. He is best remembered for this role in “Red River.”  He was among the original “method actors” in Hollywood. As a youngster did not adjust well to school and, instead, picked an acting career with his debut on Broadway when he was 15. At 20 he was in a Broadway production which won the 1941 Pulitzer Prize.  At 25 he moved to Hollywood and his first movie role was this one in “Red River.” He has been honored with a star on the Hollywood Walk of Fame and received four Oscar Nominations. Ref:

Walter Andrew Brennan (1894-1974), who plays Groot the cook, is one of only three men to win three acting Oscars.  School gave him an interest in acting and he began to perform in vaudeville at the age of 15. After military service he eventually settled in Los Angeles and became a movie actor. His physical appearance lent itself to playing character acting parts, which was just fine with him and it served it him well in over 200 movies. Ref:

If you still need a little more coaxing to come out to see this movie, consider what one critic said about the movie. A noted New York Times reviewer of the period said…“it stands sixteen hands above the level of routine horse opera these days. So strap on your trusty six-shooters and race to the wind-swept Capitol, you lovers of good old Western fiction. It's round-up and brandin' time! From the moment this Howard Hawks' super-special fades in on the open Western plains and picks up a wagon-train of settlers heading out towards the perilous frontier, it's plain that you're in for a picture with the genuine tang of the outdoors. For the beauty and scope of that first look is an unmistakable tip that Mr. Hawks has used real Western scenery for its most vivid and picturesque effects. And from the moment (right at the beginning) that John Wayne and Walter Brennan cut away from the train and strike off for their own realms, you know that you're riding with stout men.” Ref:

So if you would like to see what is considered the best cattle drive movie ever made, on the “Big Screen ” mosey on over to of the Edge Center in Bigfork. You can see this movie free of charge.  Some appropriate snacks will be served courtesy of Jack and his wife/projectionist, Lynn.  Place: The Edge Center for the Arts, Bigfork. Date and time: Thursday September 8that 6:30PM. It will be worth going to Bigfork, because Jack will give you lots of background about the movie and a cartoon of the period will give you some laughs.

Tuesday, August 2, 2016

Art Gallery Exhibit Shows the Heart of an Artist at the Edge Center Gallery

The August exhibit in the Edge Center Gallery is David Richter:  The Heart of an Artist. Judging from some of this artist’s work you might suspect a witty, humorous, sensitive, and thoughtful person. For instance, compare Dr. Pepper which combines a can of Dr. Pepper and an array of hot peppers with an earlier piece depicting apples and deer antlers.  Then there are the images of faces showing yet another contrasting style. They all provide a wonderful range of color, subjects and feelings you can enjoy.  Come and see the differences from this talented artist at the Edge Center Gallery, next to the Bigfork School, from August 4 until September 3. The Opening Reception is Friday, August 5 from 5-7 pm with refreshments to enjoy while looking at the art.  Normal Gallery hours are from 10:00-4:00 on Thursday, Fridays, and Saturdays.    

David Richter has loved art for as long as he can remember.  He says, ”I still have memories of spending the entire day lost in my colored pencils and crayons. Not much has changed; I still spend entire days alone with my colored pencils. The only thing that changed is the freedom I had as a child, not a care in the world. Just me and my art.” 

Richter works principally in colored pencil. This is not the colored pencil of most children.  He explains, “I love the translucent look I can achieve with colored pencil. I can build up layer after layer to achieve my final look I am after.”  Although colored pencil work is usually called “drawing”, Richter prefers to call them paintings for two reasons.  His color is intense and it is hard to tell it from a work using paint.  Also, in his experimenting, he often uses mineral spirits along with colored pencils.  When added correctly with a brush or q-tip, it turns colored pencil beautifully fluid, making his work look more painterly. 

Bigfork resident, David Richter, finished art school recently.  His introduction to Renaissance artists Holbein, Durer and Titian has influenced his own realistic style. He is grateful that art school “did not dull my love for the process.” 

The exhibit, David Richter: The Heart of an Artist is in the Edge Center Gallery, next to the Bigfork School, from August 4 until September 3.   The Opening Reception is Friday, August 5 from 5-7 pm with refreshments to enjoy while looking at the art.   The Gallery hours are from 10:00-4:00 on Thursday, Fridays, and Saturdays.

Saturday, July 16, 2016

Return of Sam Miltich and Charmin Michelle to the Edge Center

There will be a return to the Edge Center in Bigfork by Sam Miltich on guitar and Charmin Michelle’s vocal talents with their versions of the roaring 20s Hot Club and Jazz music. This performance will also include Evan Price on violin, Matthew Miltich on upright bass, and Jay Epstein on drums. This all-star cast of musicians will celebrate the music of Duke Ellington and Adelaide Hall. This will be something new for the Edge with the performance being on Thursday July 28 at 7PM. Prices $10 adults and $5 children.

The last time Sam and Charmin were at the Edge it was with Mathew Miltich on bass (above). This will be a wonderful return with these three plus the talents of Evan and Jay added.

Duke Ellington and Adelaide Hall were major figures in the Harlem Renaissance during the 1920's, embarking on a decades-long professional collaboration and headlining together at New York's famed Cotton Club.  It was during her tenure with Ellington that Hall pioneered the vocal technique of emulating instrumental improvisation, a style that became known as "scat."  

Vocalist Charmin Michelle (above) who summons the spirit of Hall, blends the power and soul of the legendary Adelaide Hall with her own modern-day sense of swing and sophistication. Bandleader Sam Miltich continues his rise as a star of the Minnesota jazz community, originally appearing on the scene as a musical prodigy in the "hot club" style of famed guitarist, Django Reinhardt.  Miltich's virtuoso guitar sensibility is perfectly complimented by violinist, Evan Price, a longtime member of the San Francisco Hot Club and Turtle Island Quartet.  The group is supported by a masterful rhythm section of Jay Epstein on drums and Matthew Miltich on bass.

When asked about the inspiration for this particular show, Miltich states that "I grew up with Ellington's music.  It was played in my home as a child, and Duke in our house wasn't just The Duke, he was 'The King' as far as my father was concerned. This the music I grew up with. Playing it is like coming home for me."

Grand RapidsMinnesota native, Miltich prides himself on cultivating a thriving jazz scene in northern Minnesota. His devotion to jazz runs deep.  "I want people from all walks of life to appreciate jazz, our great American music," notes Miltich.  " It doesn't get as much exposure in rural America, yet it is quintessentially our music.  All people in our nation should know about it, and I feel proud to present this great art to audiences all across the country."  When asked what audiences can expect from this particular ensemble, Miltich enthusiastically responds that, "we are all on the same page in terms of feel. Simply put, everyone in this group swings like mad."
In addition to fronting his own band, the Clearwater Hot Club, Sam records and performs extensively with Minneapolis-based jazz singers, Connie Evingson and Charmin Michelle; legendary Twin Cities saxophonist Dave Karr; and Dutch swing violin maestro, Tim Kliphuis.  In addition to a busy touring schedule, Sam also hosts a weekly Jazz at the VFW night in his home town of Grand Rapids, MN.

"Taste and understatement. Swing and savoir-faire. Grace and grooves. Intimacy and panache. Singer Charmin Michelle delivers all of the above and more. This is what the Minneapolis Star/Tribune had to say about this charismatic chanteuse whose conversational style recalls the late Billie Holiday and other legendary ladies of jazz. And, yet, her music is free of tiresome camp and easy nostalgia. She's a savvy songstress and, while putting her own imprint on a melody, is always respectful of those who first inhabited it.  Born in Birmingham, Alabama, Charmin moved to Minnesota while still a child and has called it home ever since. Though based in Minneapolis, she is no stranger to life on the road and began touring internationally in 1986. She has performed at jazz festivals throughout Europe with pianists Mulgrew Miller and Kirk Lightsey, and saxophonists Harry Allen and Grant Stewart, among others.    

Evan Price is one of the world's most confident voices in extra-classical string playing. A native of Detroit, MI, his musical background includes a variety of genres.  Evan's college career included stints at both Cleveland Institute of Music and at Berkley College of Music, and he has served as a member of the music faculty at Wellesley College, The California Jazz Conservatory, and the university of California, Berkley.   Evan is a ten-year veteran of the world-renowned, paradigm-shifting jazz ensemble, the Turtle Island Quartet. Since 1998, Evan has been a member of The Hot Club of San Fransico. An accomplished composer, Evan has contributed compositions and arrangements to the repertoires of HCSF, Turtle Island Quartet, Quartet San Fransico, Irish fiddler Lizz Caroll, San Francisco Girls' Chorus, River Oaks String Quartet, the The New Century Chamber Orchestra, under the direction of  Nadia Salerno-Sommberg Chanticleer, and the International Space Orchestra, for which he also serves as musical director. He lives in Mill Valley, CA, with his wife and daughter.  

Jay Epstein is one of the Twin Cities' most in-demand drummers boasting a professional music career that spans over five decades. A native of Winona, MN and Bridger, MT, Jay is currently a member of the Tall Tales Quartet and the Andrew Wallace Plus Nine ensemble.  Epstein was inducted into the Mid-America Hall of Fame upon the release of "Easy Company" with pianist, Bill Carrothers and bassist, Anthony Cox.

Bassist Matthew Miltich is one of ten children and comes from musical parents, both of whom were musical graduates from the University of Minnesota. After his military service, he began performing with his brothers Anthony and Paul and others, but had limited opportunities to play jazz.  His career as a jazz bassist began in earnest when his son Sam began to perform professionally and asked his father to accompany him.

Matthew has played jazz in a variety of venues, as far away as Japan, and as close as his hometown of Grand Rapids, Minnesota.  He’s performed in jazz clubs and toured with vocalists in Canada and from as far east in the U.S. as Eastport Maine, west as Puget Sound, in pubs and coffee houses and concert halls.  He holds four college degrees (two Bachelors degrees, two Masters degrees) in language, literature, and writing, but as a bassist is essentially self-taught.

Sam Miltich and the Clearwater Hot Club featuring Charmin Michelle and Evan Price perform on Thursday, July 28 at 7:00 PM at the Edge Center located next to the Bigfork School. Prices $10 adults, $5 children.