Friday, February 17, 2017

“Seven Days In May” is the March Film Classic in Bigfork


This 1964 movie classic, "Seven Days in May," has all the suspense and mystery of the best.  Being set in relatively modern times it will bring you back to an era when nuclear war was not that far removed from the American public’s mind.  The Cuban missile crisis was only two years earlier in 1962. The book, from which the film is based, was done in 1961, and the then current president John Kennedy read it and felt a certain “connection” with its basic premise. “Seven Days In May” is the March Classic Movie shown on the big screen of the Edge Theatre in Bigfork by Jack Nachbar. It will be accompanied by Jack’s presentation providing a better understanding of the time period of the movie.  Date: Thursday March 9th. Time: 6:30PM. Price: free of charge.



The list of stars in the movie is impressive with Burt Lancaster, Kirk Douglas, Fredrick March and Ava Gardner doing the acting of this Rod Sterling mystery-suspense story. The movie going public certainly got the big hitters of the 60s in this one story. An out of control military with a secret plot to take over the country played well to a public that went through WWII, the Korean Conflict, and during an ongoing Vietnam struggle. It received  positive critical reviews and audience response. With two Academy awards nominations, a Danish Bodl award for directing and Rod Sterling’s nomination for a Writer’s Guild of America award, the book and movie made a serious impact on the public and industry of its period.



Kirk Douglas had originally signed to play General James Mattoon Scott, but he realized that his friend Burt Lancaster would be perfect for Scott, so Kirk took the less flashy role of Col. Martin “Jiggs” Casey when Burt joined the cast.



Kirk Douglas was born Issur Danielvitch 1916 and is one of the last living actors of Hollywood’s Golden age. In his 64-year career he has appeared in more than 90 movies. Douglas was a box office star in the 1950s and 60s. known for his serious dramas, he was often seen in war movies and westerns. His first Oscar nomination was in 1949. Douglas has three nominations, an Oscar for lifetime achievement and the Presidential Medal of Freedom. He also wrote ten novels and memoirs and is number 17 on the American Film Institute’s list of greatest male screen legends. He is the highest ranking person still alive on the list.  He co-stared with Burt Lancaster in seven movies. 



Burt Lancaster, born Stephen “Burt” Lancaster (1913-1994), was originally known for playing tough guys in films, but learned to play more complex characters as his career developed.  He was nominated four times for Oscars and won once for his acting in "Elmer Gantry".  He also won a Golden Globe for the same performance, and BAFTA Awards for the "Birdman of Alcatraz" along with "Atlantic City". The American Film Institute ranks Lancaster  number 19 on the list of the greatest male stars of classic Hollywood movies.  


Director and backer of this film, John Frankenheimer, almost quit when he heard Kirk Douglas’ friend Burt Lancaster was going to be in the movie because he had had a very bad experience with Burt in a previous movie, "Bird Man of Alcatraz". Burt, during an argument about where the camera should be for a particular scene, had physically picked up Frankenheimer, moved him to a different place, and set him back down telling him that IT was the spot for the camera…period.  Kirk promised to keep Burt under control, which he did.



If you need more incentive to come to Bigfork and see this powerful movie for yourself, you can read what one review of the period by Bosley Crowther published in February 12 1964 in the New York Times. Bosley wrote, “As a matter of fact, there is a great deal about the ‘Seven Day In May’ that is rousing and encouraging to a feeling of confidence and pride – and this in addition to the feelings of tension and excitement it stirs…” For the whole review go to:
 http://www.nytimes.com/movie/review?res=9C05E2D61530E033A25753C2A9649C946591D6CF

So come and see this thriller of a movie. Place: The Edge Centre for the Arts, Bigfork. Date and time: Thursday March 9th at 6:30PM. It will be worth going to Bigfork, because Jack will provide you with background about the movie and a cartoon of the period. An appropriate snack will be served courtesy of Jack and his wife/projectionist, Lynn. 

Friday, January 20, 2017

“A Place in the Sun” is the February Film Classic in Bigfork



The February Classic movie, “A Place in the Sun” is a Hollywood blockbuster by any standard you wish to use.  It has major stars with Elizabeth Taylor, Montgomery Clift and Shelly Winters.  It was critically acclaimed and a financial success.  Plus it won six Oscars and the first ever Golden Globe for Best Motion Picture – Drama.  It also was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant.” To find out what 1951 movie goers and critics liked so much come to Bigfork.  “A Place in the Sun” is the February Classic Movie shown on the big screen of the Edge Theatre in Bigfork by Jack Nachbar. It will be accompanied by Jack’s presentation providing a better understanding of the time period of the movie.  Date: Thursday February 9th. Time: 6:30PM. Price: free of charge.


This American drama film is based on a 1925 novel titled “An American Tragedy” and is about a working class young man entangled with two women. It has all the elements you’d expect in a real American tragedy, the basic love triangle, people caught in a web of deceit, power hungry people and more. Come and see this extraordinary film, which seems to have a very simple plot on the surface, but yet ends up being very complicated. This movie is recommended for mature audiences due to its content.


In her fainting scene for the movie, Elizabeth is said to have executed the “best” fainting scene ever in films. She was so unconcerned about her health and body that the force of her ribs and face hitting the pavement made audiences of the day wince when it happened. 


You can’t write an in-depth paragraph about this Elizabeth Taylor; you can only scratch the surface.  Starting as a child actress in the 1940s, she was the most popular in the 50s with her acting success carrying over into the 60s.  Then she remained a well-known public figure for the rest of her life. In 1999, the American Film Institute named her the seventh greatest female screen legend of all time.


Montgomery Clift prepared himself for an important scene in the film by spending a night locked in the San Quentin Penitentiary.  He so intimidated Taylor with his acting background that she felt like “…the inadequate teenage puppet that had pretty clothes and hadn’t really acted except with horses and dogs.”


Edward Montgomery Clift (1920- 1966) was one of the original “Method” actors. He often portrayed, according to the NY TIMES, “…moody, sensitive young men…” He started his career at 15 on Broadway, and by 25 was in Hollywood starring opposite John Wayne in the movie “Red River.” About Clift Taylor said, “Monty could have been the biggest star in the world if he did more movies.”  But the ones he picked were special. His role in “A Place in the Sun" is considered one of his signature method acting performances, for which he was nominated for an Oscar for Best Actor.  Even with his limited roles in movies, he managed four Oscar nominations for his work and has a star in Hollywod’s Walk of Fame.


Shelley Winters had mixed feeling about her role in this movie because she was made to look so unglamorous for the part of Alice next to the stunning Elizabeth Taylor.  She developed such an inferiority complex  that it is said she drove strictly white Cadillacs for years to compensate.


Shelley Winters (born Shirley Schrift 1920-2006) appeared in dozens of films as well on stage and television.  With a career spanning over 50 years, she won two Oscars and was nominated for two others. Her appearance in “A Place in the Sun” was a departure from the sexpot image Universal was grooming her for at the time. She did very well with the part earning a nomination for an Academy Award for Best Actress.


The New York Times movie review from the period said that George Stevens, the director of this movie “…can point with pride to A Place in the Sun…(it) is a work of beauty, tenderness, power and insight…(that) emerges as a credit to both the motion picture craft and, we feel reasonably certain, the author’s major intentions.”


So come and see the great stars in a Hollywood magic film on the big screen for yourself free of charge. An appropriate snack will be served courtesy of Jack and his wife/projectionist, Lynn. Place: The Edge Center for the Arts, Bigfork. Date and time: Thursday February 9th at 6:30PM. It will be worth going to Bigfork, because Jack will provide you with background about the movie and a cartoon of the period to lighten your spirits and warm you up a little bit.

S

Monday, January 2, 2017

“Heartland” is the January Film Classic in Bigfork


This movie, about the realities of living in the unsettled west, will give you a perspective of how tough life was on the “real frontier” with the rewards and heartbreak such a life can bring. “Heartland” is a 1979 film, starring Rip Torn and Conchata Ferrell and directed by Richard Pearce.  This was not a high budget “glitzy” production, but one that teaches what early frontier folks had to face to succeed in life. It is a true account of the people and it was shot on location in Montana.  The mix of a great true story and a wonderful location is powerful and beautiful. “Heartland” is the January Classic Movie shown on the big screen of the Edge Theatre in Bigfork by Jack Nachbar. It will be accompanied by Jack’s presentation providing a better understanding of the 1910 time period of the movie.  Date: Thursday January 12th. Time: 6:30PM. Price: free of charge.


As said earlier, the story is a true one. It is about a hardy, ambitious young widow who packs up her life and daughter to move to the West and start a job as the housekeeper on a ranch. It is based on a memoir by Elinore Pruitt Stewart of her life in Wyoming. You will soon find out just how resilient and tough she is and how demanding the real west can be on the pioneers of 1910. At first it seems that communications between the widow and rancher can never happen, and it ends up being a story of endearing love for the land, the rancher and her situation.  I can’t tell you more except it is, once again, one of those film gems that can only be best appreciated on the big screen like the one at the Edge Theatre.


The movie is in the category of a “hidden gem.”  The “stars” and director have had careers primarily in Television Work.  This movie seems to have slipped in among their other work and yet is an outstanding film.  It was featured as a “Buried Treasure”, and was featured on an episode of Siskel and Ebert's “Sneak Previews" in 1980. This film treasure received little attention during its initial run.


Conchata  Ferrell (1943) was born in West Virginia and raised in Ohio. Her acting career spans four decades as a successful character actress. She was a movie newcomer for this film and is still best known for her role in it.  Her other accomplishments include an Obie and Drama Desk awards for her acting, and two nominations for Prime Time Emmy awards. With her experience in Television shows and off-Broadway productions, it is ironic that she is still best known for her acting in this movie.



The director Richard Pearce (1943) was born in San Diego and went East to attend high school and Yale University. He is also best known for his work in Television series’.  He has only directed six movies, including “Heartland”, and it is one of his most recognized works.  It won the Golden Bear Award at the 30th Berlin International Film Festival.



Rip Torn (1931) has had an interesting career. He was nominated for an Oscar for his role in “Cross Creek” and his work includes six Emmy nominations, winning one in 1996. He has an American Comedy Award, Funniest Male in a Series, Two Cable ACE Awards and a Satellite Award.  


Reviewer Richard Canby of the "New York Times" was quite enthusiastic about “Heartland” when the film came out in 1979.  “...The nicest thing about 'Heartland', a new, low-budget, uncommonly beautiful film written by Beth Ferris and directed by Richard Pearce, is that even though it celebrates the people of the American frontier, with emphasis on the women, it largely avoids sentimentality… Mrs. Stewart survived just about everything the frontier could throw at her."



So come and see the beautifully filmed story of rugged pioneers for yourself free of charge. An appropriate snack will be served courtesy of Jack and his wife/projectionist, Lynn.  Place: The Edge Center for the Arts, Bigfork. Date and time: Thursday January 12th at 6:30PM. It will be worth going to Bigfork, because Jack will provide you with background about the movie and a cartoon of the period will give you some laughs.

Friday, November 25, 2016

“Show Boat” Comedy Romance Drama Movie is the December Film Classic in Bigfork

If you are ready for a very warm “feel-good” movie about love and its power, this is a good film to see. It is a comedy-romance-drama film based on the Broadway musical of the same name by Jerome Kern and Oscar Hammerstein.  With several of the original Broadway actors and much of the same music, here is a chance to “go to” a Broadway play of the 1930s.  Kern and Hammerstein wrote three additional songs for the film that replaced some of original music.  The movie stars Irene Dunne, Allen Jones and Charles Winninger with the fourth “star” being the great music. The movie is “Show Boat” and it is the December Classic Movie shown on the big screen of the Edge theatre by Jack Nackbar. It will be accompanied by Jack’s presentation providing a better understanding of the time period of the movie.  Date Thursday December 8th. Time 6:30PM. Price free of charge.    


“According to film historian Miles Kreuger in his book Show Boat: The History of a Classic American Musical, great care was taken by director James Whale to ensure a feeling of complete authenticity in the set and costume design for the 1936 film. This included the design of the show boat itself.”  The movie really does a great job of reproducing Broadway on the screen. Ten numbers from the stage score are sung, with four others used as background music. The orchestra was used just as if this was a Broadway production. The result is that some critics have said this movie is one of the best musical films of all time.  It was a daunting task and the results speak for themselves.


Irene Dunn was almost 38 when she played the youthful Magnolia opposite her love interest Allen Jones who was eight years younger.


Irene Dunne (1898-1990) was a stage and film actress and singer of the 1930s, 40s and early 50s. Nominated four times for Oscars and given the Kennedy Center Honors Award for her services to the arts.  Interesting that she should have this part in a play about steamboats, because they were part of her childhood. Her dad was a steamboat inspector for the US government. She would later write, "No triumph of either my stage or screen career has ever rivaled the excitement of trips down the Mississippi  on the river boats with my father."

Dunne's role as Magnolia Hawks in the play “Showboat” was the result of a chance meeting with Florenz Ziegfeld on an Elevator and was discovered by Hollywood during a road trip of the play. Signed by the RKO Studios, her age was always a topic because she was already in her 30s when her film career just got started. Her tombstone possibly even has the wrong birth year on it.


The actor first selected to play Allan Jones’ part in the “Showboat” movie was Russ Columbo. He was accidentally shot and killed before productions started, and the movie was delayed from 1934 to 1936 until Allen Jones was selected.  

Allen Jones (1907-1992) was a actor and tenor on stage and in the movies of the 30s and 40s. Allen was a coal minor as a young adult and left that job to study voice at New York University.  His father and grandfather were musically inclined. "My father had a beautiful tenor voice. So did my grandfather. ... Grandfather taught violin, voice and piano when he could. My father sang every chance he could get and realized his ambition through me. Although he starred in many musicals in Hollywood in the 1930s and 40s, he is best remembered for his role in “Showboat”.

Another actor, Charles J. Winninger, whole career is remembered by playing a comedic “Cap’n Andy Hawks” first in the stage version of “Showboat” and then further cemented in this movie version.


Charles J. Winninger (1884-1969) was both a stage and film actor most often cast in comedies or musicals but was very capable of dramatic roles. He started in vaudeville but found his niche in this movie role. He was in the Broadway play version, and both the 1932 and 1936 movie versions of “Showboat”.  He could do other parts, but always best known for his “kindly, lovable, grandfatherly…and chubby” image. It was a good career with lots of work.

                                        

For a period look at how the movie was received, here is part of a May 1936 New York Times review by Frank Nugent: “We have reason to be grateful to Hollywood this morning, for it has restored to us Edna Ferber's Mississippi River classic, "Show Boat." It really was too grand a piece to suffer neglect just because the stage had wearied of it. Universal's excellent screen transcription, preserving the Jerome Kern score and accepting Oscar Hammerstein's book and lyrics, is the pleasantest kind of proof that it was not merely one of the best musical shows of the century but that it contained the gossamer stuff for one of the finest musical films we have seen. The Radio City Music Hall should be proud of its new tenant.”  You can read more at the following URL: http://www.nytimes.com/movie/review?res=9b05e3df103fee3bbc4d52dfb366838d629ede 


Enough said about how one critic felt back then, but you need to see it to appreciate it. So come and see a movie on the big screen and see what a Broadway musical was like back in the 1930s all free of charge. An appropriate snack will be served courtesy of Jack and his wife/projectionist, Lynn.  Place: The Edge Center for the Arts, Bigfork. Date and time: Thursday December 8th at 6:30PM. It will be worth going to Bigfork, because Jack will give you lots of background about the movie and a cartoon of the period will give you some laughs.



Friday, November 11, 2016

World War I Christmas Truce in a Musical Theater Event at the Edge In Bigfork



Just before Christmas in 1914 there was a silence in the World War I trenches of the Western Front caused by several “unofficial” truces that started for no apparent reason.  How it happened, no one seems to know, and, more importantly, why it happened is also unknown. Earlier in the year, new Pope Benedict XV called for a truce, but it was officially rejected. But then, sure enough, in parts of front the guns went silent for Christmas.  There was were Christmas carols, exchanging gifts, some Christmas trees showing up, a chance to bury fallen comrades, and even the possibility of a soccer game. Minneapolis Theater Latte DA has an original musical theater production about that event in its tenth anniversary year. The production, “All is Calm, The Christmas Truce of 1914”, is being performed at the Edge Center in Bigfork Friday December 2 at 7PM. Prices $10 adults, $5 children.


This program is neither anti-war nor a glorification of war.  Rather it is a musical theater production about people and relationships in a time of great stress. They took a chance for a little while to escape from the reality that they lived in and that reality came back, but they always had the memory of the peace which “The Calm” gave them for just a short time. 


The Theater Latte Da production presents the Christmas Truce story beginning with, a strange “silence” and the only sound a German soldier singing “Stille Nacht”. His song was answered by an Allied soldier responding with a Christmas carol in his language. The truce is a historical event relived with some of the poetry, diary entries, official war documents and letters home presented with iconic World War I songs, patriotic tunes, and Christmas carols. And just maybe it is the real story of how it all started.


In 2014 “Time” magazine did an article on the 100th anniversary of the Christmas Truce.  In their research they encountered a first hand account of the event by Pvt. Albert Moren of the Second Queens Regiment “First the Germans would sing one of their carols and then we would sing one of ours, until when we started up ‘O Come, All Ye Faithful’ the Germans immediately joined in singing the same hymn to the Latin words Adeste Fideles. And I thought, well, this is really a most extraordinary thing ­– two nations both singing the same carol in the middle of a war.” Above image from Mansell The LIFE Picture Collection/Getty Images. 


There were also some small Christmas trees placed on the German trenches.  One might ask why would there be Christmas trees on a battlefield. Remember that the battle was on the ground in Europe and the Germans were much better supplied with some of the comforts of home than the Allied troops. So it was felt that Christmas trees would be a great moral boosters for the troops. This was only six months into the war and the real hardships of the conflict were yet to come.


Estimates of the number of troops participating in this impromptu lull in the battle vary greatly, but most of it was in the trenches occupied by the English vs. German troops. And this was not a truce universally recognized even in the trenches. There were troops shot while trying to participate.


From the same Time article: “And of course, it was only ever a truce, not peace. Hostilities returned, in some places later that day and in others not until after New Year’s Day. While there were occasional moments of peace throughout the rest of World War I, they never again came on the scale of the Christmas truce in 1914.” Ref: http://time.com/3643889/christmas-truce-1914/

Alfred Anderson, the last known surviving Scottish veteran of the war was in the 1st/ 5th Battalion of the Black Watch and recalled vividly in 2003 that Christmas Eve and Christmas Day (December 24th and 25th) 1914, when his unit was in a farmhouse away from the front line.
“I remember the silence, the eerie sound of silence. Only the guards were on duty. We all went outside the farm buildings and just stood listening. And, of course, thinking of people back home. All I’d heard for two months in the trenches was the hissing, cracking and whining of bullets in flight, machinegun fire and distant German voices. But there was a dead silence that morning, right across the land as far as you could see. We shouted ‘Merry Christmas’, even though nobody felt merry. The silence ended early in the afternoon and the killing started again. It was a short peace in a terrible war.” https://en.wikipedia.org/wiki/Christmas_truce


This program “All Is Calm: The Christmas Truce of 1914”  by Peter Rothstein with Musical Arrangements by Erick Lichte and Timothy C. Takach, directed by Peter Rothstein will be the special event of the Edge Center in Bigfork, this 2016 Christmas season on December 2nd. Place: Edge Center stage. Time 7PM. Prices $10 adults and $5 children. 

Wednesday, November 2, 2016

Jonathan Thunder Brings "The Politics of Dreams: Defying Dilettantism" to the Edge Gallery

 


Jonathan Thunder Brings an Unexpected look to native art. His exhibit Jonathan Thunder: The Politics of Dreams: Defying Dilettantism is in the Edge Center Gallery in Bigfork from November 3 to December 3.  Thunder’s images seem to be a mixture of Native American symbolism and popular cartoon characters, such as Bugs Bunny.The images I create,” Thunder says, “are the dreamscape representation of the seen world I cohabitate every day in my life and journey.” There is a free Opening Reception on Friday, November 4 from 5-7 pm.  There will also be a showing of his animated films on the Big Screen of the Edge Center stage at 6:00 and 6:30 that evening. The films will show what makes Thunder’s work so unexpected.


His paintings on the Gallery walls are brought to action in the films, which will also be shown in the gallery on a monitor. But bringing the paintings to life is just part of what the films do.  Thunder continues, “The characters in my paintings and films come to me as any dream would, as messengers, and pivotal roles that carry out the story. The work is spiritual by nature. Subjects wear masks of animals, animals wear masks of humans and apparitions dress up so as not to surprise us.” 


How did this look develop?   His background and heritage is Red Lake Ojibway and it appears in the design. His work is also influenced greatly by the surrealists, impressionists, art deco, and cubists. Pop imagery also appears in his work occasionally to reflect the contemporary setting in which he find himself.  His work brings traditional motifs into the present digital world. 


Jonathan Thunder is a younger generation painter, digital media artist and film maker currently residing in Duluth, Minnesota. He has attended the Institute of American Indian Arts in Santa Fe and received a Bachelor’s Degree in Visual Effects, and Motion Graphics from the Art Institutes International Minnesota. His work has been featured in many state, regional, national and international exhibitions, as well as in local and international publications. Thunder has won several awards in SWAIA’s annual Class ‘X’ Moving Images competition.



The Edge Center Gallery is sponsoring a workshop for Bigfork School students in which to participate by making an animated film under Jonathan Thunder’s directions on Friday.  The combination of Thunder’s film making and teaching experiences makes this an unmatched learning experience for the Bigfork students.



The Jonathan Thunder: The Politics of Dreams: Defying Dilettantism exhibit will be in the Edge Center Gallery until December 3rd. The opening reception is on November 4th from 5:00 to 7:00 with the showing of his animated films at 6:00 and 6:30. Plan to be there to meet the artist and experience his work.  The regular Gallery hours are from 10:00AM-4:00PM on Thursday, Fridays, and Saturdays.  The Edge Center is next to the Bigfork School.